The company say songs in 16 different languages, including Spanish, Korean, Portuguese, Turkish, Indonesian and Arabic, appeared in their Global Top 50 last year. That's more than double the figure from 2020.
Bad Bunny, who sings exclusively in Spanish, was the most-streamed artist in the world. And Brit Award winner Rosalía sings in 14 dialects on her latest album, Lux.
Spotify said Brazilian Funk was the fastest-growing genre in the world, with audiences up by 36%. K-Pop saw a 31% increase, and Trap Latino was up by 29%.
All of those genres earned more than $100m in royalties from Spotify last year, the company said. English still dominates the charts, with 14 of last year's Top 20 best-selling albums sung exclusively in the language, according to the music industry body the IFPI.
But South Korean bands such as Stray Kids, Enhypen and Seventeen all featured in the list, as did Japanese rock group Mrs Green Apple, as fans increasingly explore music outside the typical paradigms of rock and pop.
According to a 2021 analysis of listening behaviour published in the journal Nature, this trend has been accelerating since 2017. Not coincidentally, that's the same year that streaming overtook CDs and vinyl as the music industry's biggest source of income.
Last week, Spotify's most-played chart included songs from Bad Bunny and Rauw Alejandro (Puerto Rico), Nadhif Basalamah (Indonesia), Tyla (South Africa), Tems (Nigeria), Ryan Castro (Colombia), El Bogueto, Peso Pluma, Neton Vega and Fuerza Regida (Mexico), Blackpink, Jung Kook and Jin (South Korea).
Spotify's data was revealed as they announced their annual Loud And Clear report, which breaks down the global streaming economy. The streaming giant said they had paid $11bn in royalties to the music industry last year, up from $10bn in 2024. The figure makes it the highest-paying retailer globally, the company claimed.
It is worth noting, however, that royalties distributed by Spotify don't necessarily go directly to musicians, with record labels, distributors, publishers, managers and songwriters often taking a cut.











